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		<title>14. The composition process</title>
		<link>http://www.robin-hoffmann.com/tutorials/guide-to-working-with-a-film-composer/14-the-composition-process/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=14-the-composition-process</link>
		<comments>http://www.robin-hoffmann.com/tutorials/guide-to-working-with-a-film-composer/14-the-composition-process/#comments</comments>
		<pubDate>Sat, 28 Jan 2012 10:36:10 +0000</pubDate>
		<dc:creator>Robin Hoffmann</dc:creator>
				<category><![CDATA[The Directors/Producers Guide to Working with a Film Composer]]></category>
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		<category><![CDATA[music]]></category>
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		<category><![CDATA[producer]]></category>
		<category><![CDATA[question]]></category>
		<category><![CDATA[recording orchestra]]></category>
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		<category><![CDATA[what does music do in movies]]></category>
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		<guid isPermaLink="false">http://www.robin-hoffmann.com/?p=2825</guid>
		<description><![CDATA[After the spotting session is done and all details concerning the music are fixed, the most common procedure is for the director/producer to get back to other post-production issues and for the composer to go home/to his/her studio and to start working. What happens now is highly dependant on the personalities and working procedure of [...]
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<li><a href='http://www.robin-hoffmann.com/tutorials/guide-to-working-with-a-film-composer/13-how-to-communicate-with-a-film-composer/' rel='bookmark' title='13. How to communicate with a film composer'>13. How to communicate with a film composer</a></li>
<li><a href='http://www.robin-hoffmann.com/tutorials/guide-to-working-with-a-film-composer/12-what-is-the-function-of-film-music/' rel='bookmark' title='12. What is the function of film music?'>12. What is the function of film music?</a></li>
<li><a href='http://www.robin-hoffmann.com/tutorials/guide-to-working-with-a-film-composer/5-a-film-composers-job-definition/' rel='bookmark' title='5. A film composer&#8217;s job definition'>5. A film composer&#8217;s job definition</a></li>
</ol>]]></description>
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		<title>13. How to communicate with a film composer</title>
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		<pubDate>Sat, 26 Nov 2011 15:06:02 +0000</pubDate>
		<dc:creator>Robin Hoffmann</dc:creator>
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		<guid isPermaLink="false">http://www.robin-hoffmann.com/?p=2743</guid>
		<description><![CDATA[Communication is essential between the director/producer and the film composer and bad communication often leads to misunderstandings and conflicts. As a director/producer, you should have a rather clear vision about what you want the music to do. It is NOT the most comfortable situation for a composer when he/she&#8217;s been told &#8220;Well, I don&#8217;t know, [...]
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<li><a href='http://www.robin-hoffmann.com/tutorials/guide-to-working-with-a-film-composer/2-finding-the-right-film-composer-for-your-movie/' rel='bookmark' title='2. Finding the right film composer for your movie'>2. Finding the right film composer for your movie</a></li>
<li><a href='http://www.robin-hoffmann.com/tutorials/guide-to-working-with-a-film-composer/7-contract-with-a-film-composer/' rel='bookmark' title='7. Contract with a Film Composer'>7. Contract with a Film Composer</a></li>
</ol>]]></description>
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		<title>12. What is the function of film music?</title>
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		<pubDate>Sat, 05 Nov 2011 11:38:44 +0000</pubDate>
		<dc:creator>Robin Hoffmann</dc:creator>
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		<guid isPermaLink="false">http://www.robin-hoffmann.com/?p=2703</guid>
		<description><![CDATA[The function of music in the movies is a very wide field. Music can serve several purposes that are either important on the emotional side of the movie or help/enhance the storytelling. It is not only helpful but essential for any director/producer to keep the music in mind when planning/shooting the movie. For example collages [...]
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<li><a href='http://www.robin-hoffmann.com/tutorials/guide-to-working-with-a-film-composer/6-music-budget/' rel='bookmark' title='6. Music Budget'>6. Music Budget</a></li>
</ol>]]></description>
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		<title>11. Different Release Media Need Different Film Scoring Approaches</title>
		<link>http://www.robin-hoffmann.com/tutorials/guide-to-working-with-a-film-composer/11-different-release-media-need-different-film-scoring-approaches/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=11-different-release-media-need-different-film-scoring-approaches</link>
		<comments>http://www.robin-hoffmann.com/tutorials/guide-to-working-with-a-film-composer/11-different-release-media-need-different-film-scoring-approaches/#comments</comments>
		<pubDate>Wed, 19 Oct 2011 10:35:16 +0000</pubDate>
		<dc:creator>Robin Hoffmann</dc:creator>
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		<guid isPermaLink="false">http://www.robin-hoffmann.com/?p=2680</guid>
		<description><![CDATA[The way a movie is released heavily influences not only its production but also the film music. There needs to be a clear understanding of what the primary release of the movie is going to be as there are still quite different ways of perceiving a movie depending on whether you watch it in a [...]
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<li><a href='http://www.robin-hoffmann.com/tutorials/guide-to-working-with-a-film-composer/9-have-a-vision-about-what-the-film-music-should-be/' rel='bookmark' title='9. Have a vision about what the film music should be'>9. Have a vision about what the film music should be</a></li>
</ol>]]></description>
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		<title>10. Spotting Session</title>
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		<pubDate>Fri, 14 Oct 2011 11:25:34 +0000</pubDate>
		<dc:creator>Robin Hoffmann</dc:creator>
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		<guid isPermaLink="false">http://www.robin-hoffmann.com/?p=2670</guid>
		<description><![CDATA[The so-called spotting session is the meeting between director and composer where both watch the movie together. Usually, this is a great chance to find a concept and ideas for the film music in a mutual way and to avoid any misunderstandings in the actual working process. You as the director should take the lead [...]
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		<title>9. Have a vision about what the film music should be</title>
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		<pubDate>Thu, 06 Oct 2011 10:42:14 +0000</pubDate>
		<dc:creator>Robin Hoffmann</dc:creator>
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		<guid isPermaLink="false">http://www.robin-hoffmann.com/?p=2658</guid>
		<description><![CDATA[Having a basic idea of what your movie needs musically is a very important thing when you enter the dialogue with the composer. There is that common misconception between directors that composers are happy when you just let them do their thing without giving much directions. However rather the opposite is the case. In such [...]
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<li><a href='http://www.robin-hoffmann.com/tutorials/guide-to-working-with-a-film-composer/4-the-best-film-music-for-your-movie-might-not-necessarily-be-your-favorite-music/' rel='bookmark' title='4. The best film music for your movie might not necessarily be your favorite music'>4. The best film music for your movie might not necessarily be your favorite music</a></li>
<li><a href='http://www.robin-hoffmann.com/tutorials/guide-to-working-with-a-film-composer/5-a-film-composers-job-definition/' rel='bookmark' title='5. A film composer&#8217;s job definition'>5. A film composer&#8217;s job definition</a></li>
<li><a href='http://www.robin-hoffmann.com/tutorials/guide-to-working-with-a-film-composer/6-music-budget/' rel='bookmark' title='6. Music Budget'>6. Music Budget</a></li>
</ol>]]></description>
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		<title>8. What is an adequate time frame for writing the score?</title>
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		<pubDate>Fri, 30 Sep 2011 21:10:18 +0000</pubDate>
		<dc:creator>Robin Hoffmann</dc:creator>
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		<guid isPermaLink="false">http://www.robin-hoffmann.com/?p=2632</guid>
		<description><![CDATA[The worst problem most composers suffer from is the tight schedule on their projects. Many composers sleep not more than 5 hours per night when there is crunch time which of course doesn&#8217;t allow to write the most creative music. The main problem often lies in the fact, that originally the time frame for the [...]
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		<title>7. Contract with a Film Composer</title>
		<link>http://www.robin-hoffmann.com/tutorials/guide-to-working-with-a-film-composer/7-contract-with-a-film-composer/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=7-contract-with-a-film-composer</link>
		<comments>http://www.robin-hoffmann.com/tutorials/guide-to-working-with-a-film-composer/7-contract-with-a-film-composer/#comments</comments>
		<pubDate>Fri, 30 Sep 2011 20:48:08 +0000</pubDate>
		<dc:creator>Robin Hoffmann</dc:creator>
				<category><![CDATA[The Directors/Producers Guide to Working with a Film Composer]]></category>
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		<guid isPermaLink="false">http://www.robin-hoffmann.com/?p=2628</guid>
		<description><![CDATA[Even when you are best friends and the project seems too small to bother, you should always set up a contract with your film composer. This does not only protect the composer but also yourself as director/producer and just saves so much potential headache and argument. The form of the contract is of course very [...]
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		<title>6. Music Budget</title>
		<link>http://www.robin-hoffmann.com/tutorials/guide-to-working-with-a-film-composer/6-music-budget/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=6-music-budget</link>
		<comments>http://www.robin-hoffmann.com/tutorials/guide-to-working-with-a-film-composer/6-music-budget/#comments</comments>
		<pubDate>Thu, 29 Sep 2011 10:43:43 +0000</pubDate>
		<dc:creator>Robin Hoffmann</dc:creator>
				<category><![CDATA[The Directors/Producers Guide to Working with a Film Composer]]></category>
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		<guid isPermaLink="false">http://www.robin-hoffmann.com/?p=2620</guid>
		<description><![CDATA[Before you budget for the music, you should be aware that a music budget always consists of two to three factors. The first is the composition fee, the second the costs that are necessary to produce the score music and the third are the licensing fees. I&#8217;ll split up these figures here to create an [...]
Related posts:<ol>
<li><a href='http://www.robin-hoffmann.com/tutorials/guide-to-working-with-a-film-composer/4-the-best-film-music-for-your-movie-might-not-necessarily-be-your-favorite-music/' rel='bookmark' title='4. The best film music for your movie might not necessarily be your favorite music'>4. The best film music for your movie might not necessarily be your favorite music</a></li>
<li><a href='http://www.robin-hoffmann.com/tutorials/guide-to-working-with-a-film-composer/5-a-film-composers-job-definition/' rel='bookmark' title='5. A film composer&#8217;s job definition'>5. A film composer&#8217;s job definition</a></li>
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		<title>5. A film composer&#8217;s job definition</title>
		<link>http://www.robin-hoffmann.com/tutorials/guide-to-working-with-a-film-composer/5-a-film-composers-job-definition/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=5-a-film-composers-job-definition</link>
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		<pubDate>Thu, 29 Sep 2011 10:16:02 +0000</pubDate>
		<dc:creator>Robin Hoffmann</dc:creator>
				<category><![CDATA[The Directors/Producers Guide to Working with a Film Composer]]></category>
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		<guid isPermaLink="false">http://www.robin-hoffmann.com/?p=2612</guid>
		<description><![CDATA[There often is a misunderstanding about what is part of the film composer&#8217;s job and what isn&#8217;t which often leads to irritation and arguments and can also torpedo the whole financing concept of a movie if the composer&#8217;s job was defined wrong in the calculation. A film composer usually is hired to write all  original [...]
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</ol>]]></description>
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