From January 28th-29th the recording sessions for the score of “Black Prophecy” took place in Frankfurt/Oder. I orchestrated about half of the score and attended the scoring sessions on January 28th. Everything went great, the stage sounded beautiful and the orchestra did a really good job on a few quite challenging tracks.
The game will be out in stores at the end of 08 so make sure to get it :)
Here are some pictures from the scoring:
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- Oh well, sometimes even orchestrators are overworked :)
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- Nice organ, unfortunately not used in the score… well, maybe next time :)
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- The seating of the strings and woodwinds.
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- The recording stage, a former church, had an absolutely brillant sound. That black wall was to absorb a few reflections to not make the sound overly reverby.
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- The seating of the brass and percussions. Those guys really had some fun doing all these heavy blasts :
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- The recording booth.
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- The orchestra in.. well almost… action :)
All the best
Robin
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About Me
Composer/Orchestrator/Arranger Robin Hoffmann
*1984 in Dresden/Germany
He worked on several feature film scores, including SAVE ANGEL HOPE, TELL, MORGEN IHR LUSCHEN and LIEBLING, LASS UNS SCHEIDEN. He co-composed the award winning musical DÄLLEBACH KARI and orchestrated highly successful game music scores such as ANNO 1404, BLACK PROPHECY and HALO LEGENDS.
Besides his work for media he also writes music for several international artists such as SARAH CHANG, THE LONDON SYMPHONY ORCHESTRA, THE LOVEBUGS and others.
He studied composition/arrangement and piano at the music university in Dresden, Germany.
