TUTORIALS

Welcome to the Tutorials. Here you will find tutorials and articles about several topics regarding music, film music, composition and generally the work of a film composer. If you want to read more articles on the topics of film composition and orchestration, please consider joining me on Patreon.

What is the function of film music?

The function of music in the movies is a very wide field. Music can serve several purposes that are either important on the emotional side of the movie or help/enhance the…

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Introduction to working with a Film Composer

The process of creating music for his/her movie usually is for a director a bit different than working with any other film department and often involves a lot of nervousness. The reason for this is the lacking control over the whole process. Usually, the director has a…

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Finding the right composer for your movie

If you have worked with a film composer before and you were happy with the result, the first thing would be to ask him/her again if he/she feels up to it and has time. If – for whatever reason – you need to find a new film composer, there are several ways. Depending on what kind…

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A film composer’s job definition

There often is a misunderstanding about what is part of the film composer’s job and what isn’t which often leads to irritation and arguments and can also torpedo the whole financing concept of a movie if the composer’s job was defined wrong in the calculation…

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What is an adequate time frame for writing the score?

The worst problem most composers suffer from is the tight schedule on their projects. Many composers sleep not more than 5 hours per night when there is crunch time which of course doesn’t allow to write the most creative music. The main problem often…

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Have a vision about what the film music should be

Having a basic idea of what your movie needs musically is a very important thing when you enter the dialogue with the composer. There is that common misconception between directors that composers are happy when you just let them do their thing…

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Spotting Session

The so-called spotting session is the meeting between director and composer where both watch the movie together. Usually, this is a great chance to find a concept and ideas for the film music in a mutual way and to avoid any misunderstandings…

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How to Communicate with a Film Composer

Communication is essential between the director/producer and the film composer and bad communication often leads to misunderstandings and conflicts. As a director/producer, you should have a rather clear vision about what you want the music to…

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The Composition Process

After the spotting session is done and all details concerning the music are fixed, the most common procedure is for the director/producer to get back to other post-production issues and for the composer to go home/to his/her studio and to start working.

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The Scoring Session

Depending on the budget and size of the production, there will be a scoring session. This could be from having a soloist for an hour in the composer’s studio up to a full symphony orchestra for several days in a big recording studio. Depending…

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Film Music Budget

Before you budget for the music, you should be aware that a music budget always consists of two to three factors. The first is the composition fee, the second the costs that are necessary to produce the score music and the third are the licensing fees…

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Contract with a Film Composer

Even when you are best friends and the project seems too small to bother, you should always set up a contract with your film composer. This does not only protect the composer but also…

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Orchestral Off-beats, Groove and Odd Meters

This time I will talk a little bit about rhythmical aspects to be considered when writing for (real) orchestra, as – not surprisingly – not everything that grooves in your mind or sequencer will come out as you want it when you’re dealing with an orchestra.

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The Harmonic Series

This tutorial deals with the harmonic series from a musical and compositional point of view. There are tons of information on this issue available dealing with the acoustic phenomenon of this issue but I’ll try and focus on the things, the harmonic series can do for you in your music or what you can do for the harmonic series in order to not make it spoil your music.

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