Daily Film scoring bits

Welcome to the Daily Film Scoring Bits. On this page I post on a more or less daily basis little tips, tricks and advices about film scoring in general but also more specific topics like orchestration, composition, working relationships, business advices etc.

Use the search bar on the right to find specific topics or click on the tags to filter posts by specific topics.

Please don’t hesitate to comment on the bits, a lively discussion with different points of view is desired 🙂

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Tired Ears

If possible never deliver a final mix for important clients right after you finished working on it but rather sleep over it. Very often, when you work…

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general orchestration composition technical filmscoring business harmony melody daw samples film scoring recording session real orchestra scoring session sample production career recording balance chord career building concept dramaturgy score sheet mixing theme brass communication strings mockup chords rhythm feedback contract texture client dynamics emotion orchestra session sample library woodwinds live recording volume networking deadline climax scoring stage tension mixing engineer tempo hit point mock up tutti production realism notation contract negotiations chord progression real musicians orchestra accent music mix action scoring solo idea studio melodic arc recording stage rewrite client feedback tempo change playing technique pulse connection projects income harmonic progression aquiring jobs work ethics divisi reverb side line piano orchestrator microphones money take mix negotiation synchronisation motif decca tree harmonics complexity sample intonation music theory theory click track repetition organisation instrumental solo spot mic style sample limitiation dissonance interval director film cue orchestra recording low budget genre self-employment movement instruments chord structure time management substance line-up edit transparency productivity speed sustain adjustments emotional response register cinema resolution textures tuning range working together jobs flute perception ostinato dominant highlight synth programming distraction presentation session conceptual idea cliché stylistic diversity approach score concept colour placebo extended harmony chord extension demo manipulation timing work life balance transition perspective client care programming film orchestration tonic marking experience doubling hit crediting payment fee negotiation controller modulation website work print melodic writing storyline long form development trumpets forte business opportunity articulation practice output rate main theme sustained note limitation melodic tension creativity pressure build-up sound mix study workload workflow fundamental voicing skype panning counterpoint shortcuts references