Nov 29, 2019 | Daily Film Scoring Bits, Orchestration
Close vs. Open Position Chords in Brass When writing chords in Brass it is usually better to stay in close position voicings rather than in open position. As basically all brass instruments have a natural crescendo and raise in intensity towards their top end, writing...
Nov 6, 2019 | Composition, Daily Film Scoring Bits
Parallel Movement of Several Voices Parallel movement of many voices usually sounds musically rather unattractive. Particularly if you let several voices leap into the same direction, the collective change of instrumental register will create a sonical disconnect that...
Aug 16, 2019 | Daily Film Scoring Bits, Orchestration
Compose With Orchestration in Mind When you’re writing music, at least have a basic idea about the orchestration while doing so. Writing something completely disconnected from the orchestration will cause compromises in the orchestration process later. The problem...
Jul 30, 2019 | Daily Film Scoring Bits, Film Scoring
Dialogue Scoring Avoid anything that draws too much attention on itself when you’re scoring dialogue. This applies especially for instrumental solos but also for uncommon playing techniques or strange registers. Dialogue score usually needs to be as un-obtrusive as...
May 31, 2019 | Daily Film Scoring Bits, Orchestration
Study Instrument Registers Just as important as knowing the ranges of the instruments that you are writing for you should also have a clear idea about their registers and dynamic possibilities of them in these registers. There are a few charts out there which show one...
