Aug 23, 2019 | Daily Film Scoring Bits, Orchestration
Vibrato The amount and intensity of vibrato as a default playing style is highly depending on the instrument and also location of the orchestra. While string players naturally add vibrato to longer notes, brass players only play with slight vibrato when they have an...
May 31, 2019 | Daily Film Scoring Bits, Orchestration
Study Instrument Registers Just as important as knowing the ranges of the instruments that you are writing for you should also have a clear idea about their registers and dynamic possibilities of them in these registers. There are a few charts out there which show one...
May 23, 2019 | Daily Film Scoring Bits, Technical
Natural Phrasing of Brass Sustains Orchestral Brass players will always execute a natural decrescendo on sustained notes unless otherwise indicated by special dynamics. Many sample libraries come with absolutely flat sustains on the brass (in order to be loopable) and...
Feb 22, 2019 | Daily Film Scoring Bits, Orchestration
“Epic” Low Horns Recent years have shown a tendency in film music to write more often for brass in their very low register. Especially horns are often requested to play in their lowest octave. While excellent players in great numbers (speaking of at...
Feb 8, 2019 | Daily Film Scoring Bits, Orchestration
Doubling Woodwinds Woodwinds usually sound more brillant and characteristic when they’re playing solistically instead of doubling the same instruments in unison. For example 3 flutes playing a line in unison in generally sound thicker and slightly louder than a solo...
