Jul 26, 2019 | Daily Film Scoring Bits, Orchestration
Three Part Divisi in Two Violin Sections In a situation where you want to spread out three voices over both violin sections, usually the better choice is to divide the second violins into two voices and leave the top voice to the first violins alone. Even though this...
Apr 19, 2019 | Daily Film Scoring Bits, Orchestration
Excessive String Divisi Many composers coming from the sample world tend to use massively split up string sections. Things like triads in the violas alone, several different violin movements at the same time etc. are very common. While this might work in the sample...
Mar 8, 2019 | Daily Film Scoring Bits, Orchestration
Perfect Fifth Double Stops on Strings There are several disagreeing statements in orchestration books about perfect fifth double stops on string instruments that don’t involve open strings. Some claim they are impossible and should be avoided while others say they are...
Sep 28, 2018 | Daily Film Scoring Bits, Orchestration
String Divisi Part 2 As a follow-up on my post about string divisi from two weeks ago, here a few more things to consider: 6.) Four-part triadic homophone harmony in violins, especially in the higher register is best divided in the way that the first violins play the...
Sep 14, 2018 | Daily Film Scoring Bits, Orchestration
String Divisi Dividing string sections into several parts is a common technique called “divisi” and for section strings is usually the preferred way over making the players play awkward double stops. However samples make many composers believe that a divisi will...
