Aug 13, 2019 | Daily Film Scoring Bits, Film Scoring
“Fake” Tempo Changes through Rhythmic Subdivisions Rhythmic subdivisions of the same tempo can be a great tool to dramaturgically shape your scene and for creating “fake” tempo changes. Staying in the same tempo while switching back and forth between a pushing eighth...
Aug 6, 2019 | Daily Film Scoring Bits, Film Scoring
Finding Thematic Material Finding the right thematic material and having both parties (you and your customer/director) agree on it can take quite some time. When you present possible themes, it is common today to present them in their best shape as directors very...
Jul 30, 2019 | Daily Film Scoring Bits, Film Scoring
Dialogue Scoring Avoid anything that draws too much attention on itself when you’re scoring dialogue. This applies especially for instrumental solos but also for uncommon playing techniques or strange registers. Dialogue score usually needs to be as un-obtrusive as...
Jul 23, 2019 | Daily Film Scoring Bits, Film Scoring
Doubling Strong Emotions with Music Strong emotions that are portrayed visually in the movie (e.g. someone crying desperately) feel rather awkward when they get doubled by the music. You are usually better off scoring such moments rather sparsely or possibly even...
Jul 16, 2019 | Daily Film Scoring Bits, Film Scoring
Narrative Links Beyond Themes Themes are not the only thing that can be used to identify characters/locations/situations musically. In fact, using too many themes especially on a genre that usually doesn’t have many themes might just become feeling strangely operatic...