Rhythmic Offset of Key Motifs

Rhythmic Offset of Key Motifs In order to keep a composition interesting, try to rhythmically offset your motif now and then. If you’re melodic idea is based on a motivic idea being placed on every downbeat of a bar, try moving that motif to a different rhythmical...

Ten Seconds per Texture

Ten Seconds per Texture The ear/brain needs about ten seconds to adjust to and digest a new musical texture so changing orchestration colours roughly in that tempo is something that feels quite natural/interesting and is easy to digest for our brain. However using...

Structuring Ostinatos

Structuring Ostinatos Ostinatos play a big role in current film scoring and while the principle of how they work is pretty clear, many learning composers struggle with their use. Due to their repetative character, ostinatos can become quite annoying and start feeling...
Data protection
Robin Hoffmann, Owner: Robin Hoffmann (Registered business address: Germany), processes personal data only to the extent strictly necessary for the operation of this website. All details in the privacy policy.
Data protection
Robin Hoffmann, Owner: Robin Hoffmann (Registered business address: Germany), processes personal data only to the extent strictly necessary for the operation of this website. All details in the privacy policy.