Harmonizing Melodic Key Motifs

Harmonizing Melodic Key Motifs If you have a melody for example in the trumpets (it works in any melodic writing but it is most prominent on brass themes), it creates a very nice colour to harmonize the melody on key motifs or phrases. Coming from all trumpets playing...

Melodic Build-Ups

Melodic Build-Ups Building towards a climax requires also your melody to increase tension which is not only possible by “going higher and higher”. When analyzing melodic structures that build towards a climax, usually several characteristics of the melody push it...

Melodic Ideas in the Same Register

Melodic Ideas in the Same Register This is one of the first rules one learns when learning to orchestrate and still I very often see it being done wrong: make space for important melodic lines. You don’t want to have several lines and textures in the same range walk...

Repeating Pitches in a Melody

Repeating Pitches in a Melody When writing a melody, many inexperienced composers tend to overuse certain pitches, their melody kind of gets stuck at a pitch and keeps on using it over and over again. For a certain length it is okay to hover around one pitch but it...

Highest pitch in a melody

Highest pitch in a Melody One common property of many successful melodies is that the highest (and lowest) note of it only occurs once in the melody. This is a pretty essential thing in order to give it a proper dramaturgy. Also, the highest note shouldn’t be a...