Nov 6, 2019 | Composition, Daily Film Scoring Bits
Parallel Movement of Several Voices Parallel movement of many voices usually sounds musically rather unattractive. Particularly if you let several voices leap into the same direction, the collective change of instrumental register will create a sonical disconnect that...
Oct 9, 2019 | Composition, Daily Film Scoring Bits
Two Bar Structures Lots of music nowadays is very heavily orientated on structures that are multiples of two bars. Often themes are presented in an 8 bar form which can be subdivided into two groups of 4 bars which can again be subdivided into two 2 bar groups. While...
Sep 4, 2019 | Composition, Daily Film Scoring Bits
Voice Leading is King Good voice leading beats any other rule. This was already valid in Bach’s times where there were fifth parallels and doubled thirds in the chord because the voice leading of the individual voices was so strong that it could easily justify for...
Aug 14, 2019 | Composition, Daily Film Scoring Bits
Hook Lines in Film Scoring The concept of a “hook-line” – as it is called in the pop world – is to create one or several elements that stick in the memory of the listener and create something that is easily remembered and recognized once it appears again. As opposed...
Aug 7, 2019 | Composition, Daily Film Scoring Bits
Rhythmic Offset of Key Motifs In order to keep a composition interesting, try to rhythmically offset your motif now and then. If you’re melodic idea is based on a motivic idea being placed on every downbeat of a bar, try moving that motif to a different rhythmical...
