Nov 16, 2018 | Daily Film Scoring Bits, Technical
Panning Instruments After the Scoring Session You should be aware that it is practically impossible to change the panning of an orchestral recording in the mix. As you use the signal from the decca tree in the room as your main mix signal, you can place the (usually...
Aug 16, 2018 | Daily Film Scoring Bits, Technical
Noises on Recordings Noises on a recording can be very annoying and are easily overheard on a session (as you focus more on the music obviously). Usually the sound engineer is supposed to spot noises but they can slip by quite easily and what you could barely hear on...
Aug 9, 2018 | Daily Film Scoring Bits, Technical
Strategies for using reverb There are probably thousands of philosophies of how to add reverb to a recording. Especially with orchestral tracks, many people are concerned about creating a proper field of depth within the orchestra and create a proper impression of...
Jul 12, 2018 | Composition, Daily Film Scoring Bits, Working Together
Music vs. Sound Design With sound design being a massively important factor on movies for the last 10-20 years, the way to handle this from the music side has also changed quite a bit. While in earlier times, audio tracks of movies were way less occupied and composers...
