Aug 2, 2019 | Daily Film Scoring Bits, Orchestration
DAW Orchestration vs. Real Life Orchestration Just because you write orchestral music does not mean that you can orchestrate when it comes to working with a real ensemble. I’ve come across many composers who write excellent music in DAW with virtual instruments and...
Dec 7, 2018 | Daily Film Scoring Bits, Orchestration
“Real Orchestra” Problems Coming from a sampling background, many young composers are surprised about what main problems usually arise in “real orchestra” recordings that are practically non-existent in the sample world. When recording a real ensemble, the...
Oct 4, 2018 | Daily Film Scoring Bits, Technical
Demo Mock-Ups The media world nowadays doesn’t work anymore without detailed mock-ups (aka sample produced demos) of cues. The times when composers just presented their ideas on the piano and the directors trusted them that it will sound great in the end are over. If...
Jul 27, 2018 | Daily Film Scoring Bits, Orchestration
Dynamic Shaping of Long Notes Hardly any musician in an orchestra will play a long note with a static dynamic as samples do. Even if you don’t write in any dynamics or hairpins, the musicians will shape sustaining notes dynamically on their own. It’s usually very...
