Small Ensemble Seating

Small Ensemble Seating When recording or overseeing the recording of a small ensemble of musicians, pay attention to a few seating issues. If you’re not depending on a specific seating of the musicians for other reasons, you might want to go for the following option:...

Composer’s Output Rate

Composer’s Output Rate As a composer working within economical boundaries and especially working in the media world, you need to be able to work at a considerable speed. Unless you are financially secured, you simply cannot afford to spend 2 weeks on a 30 second...

First View Experience

First View Experience Many inexperienced composers forget the perspective of the “first view” when scoring a film. Due to the fact that as a composer you watch the movie or scenes so many times your way of perception shifts during that time and you tend to forget the...

Giving a Face to the Name

Giving a Face to the Name Clients and customers prefer to have a clear image of who is actually working for them. There are quite a few people who hide behind umpersonal websites that they call something like “Awesome Music Studio”, speaking of “we” and “us” without...