Oct 14, 2019 | Daily Film Scoring Bits, General
Number of Revisions Limits One of the most important things to do when negotiating a deal, especially on the “smaller” projects, is to limit the amount of revisions. A deal that at first seems really good can really become a nightmare when the client requests revision...
Jul 18, 2019 | Daily Film Scoring Bits, Technical
Remote Music Mixing Being present on the music mix is obviously the best situation but sometimes due to budget or location issues, it is not possible to be there. Unless you’re mixing the music yourself, you need to have quite a bit of trust in your mixing engineer....
Jun 18, 2019 | Daily Film Scoring Bits, Film Scoring
Strategies for Writing Music to Unfinished Edits Unfortunately, there are quite often situations where you need to start writing music to an un-locked cut in order to be able to hit the deadline. While this situation is far from ideal due to picture lock dates being...
Oct 25, 2018 | Daily Film Scoring Bits, Technical
The Film Mix During the phase where your music is being mixed together with the movie, you should be well prepared for spontaneous requests to re-deliver certain files. Sometimes that has something to do with technical issues (e.g. audio glitches, unreadability of...
