Excessive String Divisi

Excessive String Divisi Many composers coming from the sample world tend to use massively split up string sections. Things like triads in the violas alone, several different violin movements at the same time etc. are very common. While this might work in the sample...

V-I Cadences and Extensions

V-I Cadences and Extensions Final V-I cadences in important form sections (e.g. like the end of your main theme) can start to sound quite pedestrian and boring especially when they occur very often in the piece. Of course, the quality of a V-I cadence is one of the...

First Chair Simulation in Mock-Ups

First Chair Simulation in Mock-Ups A good way to make loud brass chords in the same family (e.g. a triad in the trumpets) sound more realistic in mockups, is to have the top note playing with a slightly stronger dynamic than the other notes. In real orchestras, this...

The Danger of Composing on the Piano

The Danger of Composing on the Piano Composing on a piano is a great tool but can also be quite limiting. For example, chord voicings that sound good or decent on a piano don’t neccessarily translate too well to real orchestra.Usually, the biggest problem with such...