Jun 18, 2019 | Daily Film Scoring Bits, Film Scoring
Strategies for Writing Music to Unfinished Edits Unfortunately, there are quite often situations where you need to start writing music to an un-locked cut in order to be able to hit the deadline. While this situation is far from ideal due to picture lock dates being...
Mar 14, 2019 | Daily Film Scoring Bits, Technical
“True Legato” Samples Lag When you’re working with true legato sample patches (where the transitions between notes have been sampled as well) be aware that depending on the instruments, the lines will always feel more or less late. Real players will always...
Dec 7, 2018 | Daily Film Scoring Bits, Orchestration
“Real Orchestra” Problems Coming from a sampling background, many young composers are surprised about what main problems usually arise in “real orchestra” recordings that are practically non-existent in the sample world. When recording a real ensemble, the...
