Apr 3, 2019 | Composition, Daily Film Scoring Bits
Melodic Target Notes Melodic target notes of a phrase should be avoided for as long as possible before reaching that target. For example, if your melodic phrase has a target note of a c, you should try to not use that c (if possible also in no other octave) in the...
Apr 2, 2019 | Daily Film Scoring Bits, Film Scoring
Hit Point Intensity The intensity of hitting an action or a certain moment in a music cue is a quite delicate matter. Inexperienced composers tend to over-accent such moments most of the time. Minor actions sound like highly dramatic moments and even while the mood of...
Apr 1, 2019 | Daily Film Scoring Bits, General
Sending Out More Than One Cue If you’re working on a film score or a project that involves writing more than one cue, it might generally be a good idea to send out small batches of several cues to get feedback rather than sending out each cue one by one. If you...
