Oct 14, 2019 | Daily Film Scoring Bits, General
Number of Revisions Limits One of the most important things to do when negotiating a deal, especially on the “smaller” projects, is to limit the amount of revisions. A deal that at first seems really good can really become a nightmare when the client requests revision...
Aug 6, 2019 | Daily Film Scoring Bits, Film Scoring
Finding Thematic Material Finding the right thematic material and having both parties (you and your customer/director) agree on it can take quite some time. When you present possible themes, it is common today to present them in their best shape as directors very...
Jul 18, 2019 | Daily Film Scoring Bits, Technical
Remote Music Mixing Being present on the music mix is obviously the best situation but sometimes due to budget or location issues, it is not possible to be there. Unless you’re mixing the music yourself, you need to have quite a bit of trust in your mixing engineer....
Jun 18, 2019 | Daily Film Scoring Bits, Film Scoring
Strategies for Writing Music to Unfinished Edits Unfortunately, there are quite often situations where you need to start writing music to an un-locked cut in order to be able to hit the deadline. While this situation is far from ideal due to picture lock dates being...
Apr 1, 2019 | Daily Film Scoring Bits, General
Sending Out More Than One Cue If you’re working on a film score or a project that involves writing more than one cue, it might generally be a good idea to send out small batches of several cues to get feedback rather than sending out each cue one by one. If you...
